But it takes a few clicks to create an adjustment layer, add an effect to it and tweak the settings. When you’re color grading you often have a situation where you need to add the same correction to multiple clips, and this is where Adjustment Layers come in very handy.
Save Adjustment Layers with effects on them I also have an Audio preset in my preset pack (download for free: Jarle’s Presets 4.0) named Compressor 2.5:1, which works perfectly fine with mono clips, while it can make the audio too hot if you add it to stereo clips. You may wonder why you need to normalize mono and stereo clips to different levels? It’s because the mono clip will be 3dB lower when it’s panned to the center, so its peaks will automatically be at -3 when normalized to 0. It’s faster to normalize to 0 because you don’t have to enter a number-zero is the default-so mono clips are also faster to work with. Press Shift+L to increase speed in smaller increments (10%) and Shift+J to decrease the speed in smaller increments. Press and hold K and hit J or L to move frame by frame. As usual, hitting L multiple times increases the speed in large steps, and hitting J multiple times decreases the speed until it starts playing backwards faster and faster. You can also select a clip in the bin and use JKL (JKL keys on your keyboard) shuttling to find your in and out points before hitting I and O.
How to use adobe premiere pro cc windows#
To set a keyboard shortcut on a Windows system, go to Edit > Keyboard Shortcuts To set a keyboard shortcut on a Mac, go to Premiere Pro > Keyboard Shortcuts I’ve mapped this shortcut to F2, which is the same keyboard shortcut as Deselect All in After Effects. It’s a good idea to hit the keyboard shortcut for Deselect All before adding points during hover scrubbing. If you don’t see that you’ve added an in or out point when you’re hover scrubbing you’ve probably had a clip selected, and you just added points to that clip instead. Just drag the pointer over the clip in Icon view or Freeform View, and you’ll see a slim blue line with a gray playhead indicator. Yes, you can set in and out points while hover scrubbing. You can hover scrub, use JKL for quick shuttling, or select a clip and drag the playhead (the slowest way) to find your preferred in and out points before you hit I and O. In Icon View and Freeform View, every clip is in many ways a source monitor.
Scrub the thumbnails to set in and out points before you even throw the first clip in a timeline. You can set in and out points, create storyboards, add effects, adjust audio levels, select audio channels etc. The bin is not just a folder or a container for your source clips. Use String-out Sequences and Pancake Timelines 1. Use storyboard view to build a rough cutĤ. In this article, I’ll cover several techniques that will help you streamline your workflow in Premiere Pro CC and, ultimately, save you heaps of time in your future edits.Ģ. And then experienced editors who’ve edited on Premiere Pro for a long time tend to use the latest version the same way they used Premiere before it even got Pro added to its name. Most beginners have a workflow that’s been developed by chance, not from careful thinking and a critical view on the efficiency.Įxperienced editors coming from other NLEs tend to try to make Premiere Pro work like Avid or Final Cut Pro. When I do Premiere Pro training for beginners, and even for experienced editors coming from Avid, FCP and other NLEs, I’m often struck by how inefficient their workflow is.
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